Erik Satie - Gymnopédie No.1

Erik Satie - Gymnopédie No.1


Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd. The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies ...
我都想好了,弄一个捕兽笼,给丫圣诞老人抓住 后面的礼物就全是我的了哈哈哈!


らぐさんデビュー10周年おめでとうございます。なんだかんだで、また六人集まる日を楽しみにしている一ファンでございます。


RT @kero2jou: 私メリーさん。いまアストラギウス銀河を二分するギルガメスとバララントの陣営は互いに軍を形成し、もはや開戦の理由など誰も分からなくなった銀河規模の戦争を100年間継続していた。その“百年戦争”の末期、ギルガメス軍の一兵士だった「キリコ・キュービィー」は、味方の基地を強襲するという不


ウイリアム・グリフィス(福井藩が招聘した教師)は正しくも「中国では儒教の論理は父母への従順を人間第一の責務としたが、日本では忠義が優先された」と述べた。


@takadakoichi いいですよね!!1時間くらい風呂入って、コーヒー牛乳一気飲みする予定です(*´∀`)ぜひ高田さんも(^O^)/


@hi__ra 一時期はるきゃすが〜とかTweetめっちゃしてたよね笑


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